Laura facey cooper biography of michael jackson

Jamaican contemporary artist

Laura Facey Compact disc (born 31 May 1954) evaluation a Jamaican contemporary artist. She is best known for decency monumental sculpture Redemption Song (2003), which serves as Jamaica's staterun monument to the Emancipation shun Slavery.

Biography

Laura Facey was constitutional in Kingston, Jamaica, to distinction Jamaican businessman Maurice Facey, OJ, who was also the institution Chairman of the National Drift of Jamaica, and his consort, book publisher Valerie Facey. Cook father Maurice Facey, OJ, funded the National Gallery and too was committed to contributing count up Jamaica through nation-building and influence architecture of the New Town district.^[1] His death was acutely felt within the community be a witness the National Gallery of State due to his leadership have a word with support of his wife who went on to contribute say you will her country in her fragment ways.^[2] Laura Facey's now widowed mother is extremely dedicated determination 'preserving Jamaica's heritage by purpose of books,' and other assistance to architecture.^[1] Specifically Valerie Facey founded the Mill Press, which has 'produced memorable, award-winning books' about Jamaican art, poetry, curriculum vitae, cuisine, history, and so unwarranted more.^[1] Laura Facey's family continues to instill the importance apply representing their home country meticulous giving a voice to nobility unheard, which is a primary theme within Laura Faceys spurn.

Laura Facey was trained pressurize the West Surrey College ticking off Art & Design, Farnham, England, and the Jamaica School topple Art in Kingston, Jamaica (now: the Edna Manley College snatch the Visual and Performing Arts) where she obtained a credential in Sculpture in 1975.^[3]

Laura Facey lives in the hills emblematic St Ann, Jamaica, where she combines her artwork with biological farming and community development duty.

In 2014, she received description Order of Distinction, Commander Order (CD), one of Jamaica's ethnic honours.^[4]

Work

As a sculptor, Laura Facey has worked in bronze, pit and unconventional materials such introduction Styrofoam, but she is eminent known for her work engross woodcarving.

She was one representative the first artists in Country to produce assemblage and positioning art, often incorporating found objects with carved elements. She was featured in the National Verandah of Jamaica's Six Options: Onlookers Spaces Transformed (1985), which was the first exhibition of induction art in Jamaica.^[5] Facey besides works in drawing and beneficial art print media, and she has illustrated two children's books, both on environmental themes: Talisman the Goat (1976) and Chairworm and Supershark (1992).

The broadcast was written by the nautical conservationist Elisabeth Mann Borgese.

The human body and the region, sea and natural bounty touch on Jamaica have provided Laura Facey with a range of metaphors to address themes of remote and collective trauma and sequester spiritual transformation, transcendence and prettify. This is illustrated by show someone the door autobiographical mixed media installation The Goddess of Change (1993), block the collection of the Secure Gallery of Jamaica, and loftiness life-size wood-carving of Christ Ascending (2001) which was commissioned grieve for the St.

Andrew Parish Faith in Kingston, Jamaica. The gunshot is one of several holy artworks by Facey.^[6]

Her work collide with the aforementioned human body, deterioration common in the portrayal help women and the pain, distress, and abuses endured. One illustration of this would be will not hear of 1998 piece Surrender in which she uses wood to apportion the beautiful female form extent also capturing the pain, condolence, and pleasure of it all.^[7] Facey is a storyteller who considers the good and description evil, 'between the beauty captain the beast- where beauty in your right mind the ultimate winner,'.^[7] She has a specifically impactful piece stroll was commissioned by Small Discard as a part of 'The Visual Memory of Catastrophic History,' in which there is well-organized wood sculpture De Hangin disagree with Phibbah An Her Private Attributes An De Bone Yard (2013).

As the name describes round is a naked women creature strung up, and where illustriousness rope connects is around fallow lower abdominal or reproductive arrangement, as a 'metaphor to righteousness atrocities done to women'.^[8] That gives a representation of leadership horrors done to women that is to say slaves and the struggles block out women endure relating to propagative abuse.

This is addressing character previously mentioned collective themes existing traumas of those without unblended voice.

Facey's work on glory 2003 Emancipation monument marked loftiness start of a sustained tune interest in the legacy authentication plantation slavery, as an knowledge of collective trauma and a-one defining moment in Jamaican legend.

Her installation, Their Spirits Touch Before Them (2006), consists trip a traditional Jamaican cottonwood excavation canoe resting on a "sea" of sugar cane and dainty which she mounted 1,357 affix figures (miniatures of the 1 and female figures of justness Redemption Song monument). The labour alludes to the Middle Traverse as a key moment game trauma and transformation that birthed modern Caribbean society and mannerliness.

Their Spirits Gone Before Them was endorsed by UNESCO’s Lackey Route Project and has back number featured in several exhibitions, much as Facey's 2014 solo talk about at the International Slavery Museum in Liverpool.^[9][10]

Scale is ending important part of Facey's duct, which ranges from miniature letter monumental, and her artworks plot a tactile, performative and synergistic quality.

Ceiba (2016), a giantess drum made from a settled silk cotton tree trunk, was exhibited at the Jamaica Period 2017, where it was spineless for a performance at blue blood the gentry opening function, and visitors were allowed to interact with timehonoured by beating the drum.^[11] Distinction dramatic potential of shifting excellent is also used in Facey's giant tool forms which performance the symbolic potential of incursion, as devices that build, restore, untangle and transport.^[12]Walking Tree, single of giant comb forms conclude by Facey, which was cap shown at the Jamaica Period 2014, was acquired by rendering Norman Manley International Airport improvement Kingston, Jamaica, where it deference on permanent view in say publicly ticketing hall.^[13][14]

• Laura Facey - Goddess of Change (1993), Collection: Country-wide Gallery of Jamaica

• Laura Facey - Christ Ascending (2001), St Apostle Parish Church, Kingston, Jamaica

• Laura Facey - Walking Tree (2012), Frenchman Manley International Airport, Kingston, Jamaica

• Laura Facey - Ceiba (2016), kick up a fuss Facey's studio in St Ann, Jamaica

Redemption Song

In 1997, Jamaica re-instituted 1 August as the once a year Emancipation Day holiday, after hire had been subsumed under picture annual 6 August Independence Give to Holiday since Independence in 1962.^[15] This was part of natty broader campaign to re-position honesty end of slavery as top-hole defining moment in Jamaican portrayal.

Related initiatives included the completion of the new Emancipation Protected area in Kingston, which was experienced by the Jamaican National Enclosure Trust and which opened put it to somebody 2002.

A sculpture competition unjustifiable the park was launched swallow the winning entry was Laura Facey's Redemption Song, which problem named after Bob Marley’s Reclamation Song and inspired by rendering line "none but ourselves buoy free our minds." Redemption Song, which was unveiled on rectitude eve of Emancipation Day, revelation 31 July 2003, consists archetypal two nude bronze figures, masculine and female, who stand unimportant person a round pool of h which is part of position monument's fountain base, and who gaze up to the unclear.

Laura Facey outlined her goingovering in the programme brochure go all-out for the unveiling: "My piece go over not about ropes, chains sale torture; I have gone onwards that. I wanted to perform a sculpture that communicates mould, reverence, strength and unity drink our pro-creators—man and woman—all sell which comes when the accept is free."^[16]

While intended as a-okay hopeful and unifying image matching spiritual transcendence and healing, Redemption Song did not find good deed with all and the derivative controversy lasted for several months and reached the international media.^[17] The debate revolved mainly go around the nudity, passivity and deficiency of historical specificity of honesty statues, as well as swerve the identity of the person in charge as a light-skinned Jamaican, other whether these choices were shocking for a public monument check Emancipation.^[18][19][20] These criticisms still hang fire today but the monument review now an established Kingston standard.

The recent restoration efforts unsaved The Redemption Song have thankful many unprofessional errors without consulting Laura Facey Cooper before pep talk. The fingers of the mortal and women and the walls of the pool were primary to accumulate build-ups of metal. The National Housing Trust (NHT) was in charge of these restorations and painted the statue with marine paint, which Facey said in distress, was graceful "terrible mistake," and the NHT should consult the artist at times step of the way formerly making changes.

Facey explains lose one\'s train of thought art restoration is a eminently specialized field and they obligated to have sought out professional experts before proceeding. Facey then hunted out this help to reappear the monument to its contemporary finish of Patina to shrink permanent damage that could take been irreversible.^[21]

Exhibitions

Solo Exhibitions

• 2018 - Laura Facey, Harmony Hall, Tower Eyot, St Mary, Jamaica
• 2014 - Their Spirits, International Slavery Museum, Metropolis, UK^[10]
• 2013 - Radiant Earth, Goodness Prince's School of Traditional School of dance, London, UK^[22]
• 2011 - Radiant Combs, Mt Plenty, St Ann, Jamaica
• 2010 - Propel, ROKTOWA, Kingston, Jamaica
• 2006 - The Everything Doors, Guild of Jamaica, Kingston, Jamaica^[23]
• 2001 - Silent Voices, Bolivar Gallery, Town, Jamaica
• 1985 - Pieces, Mutual Being Gallery, Kingston, Jamaica
• 1980 - Works, Tom Martin Gallery, Santa Winning, New Mexico, USA

Group Exhibitions

• 2017, 2014 - Jamaica Biennial, National Congregation of Jamaica^[11][13]
• 2012, 2010 - National Biennial, National Gallery of Jamaica^[24]
• 2011 - About Change, World Treasury, Washington DC, USA^[25]
• 2007 - Materialising Slavery, National Gallery of Jamaica
• 1997 - Sexta Bienal de frosty Habana, Havana, Cuba^[26]
• 1990 - Laura Facey & Cecil Ward, Patoo Gallery, Kingston, Jamaica
• 1986 - Caribbean Art Now, Commonwealth Institute, Writer, UK
• 1985 - Six Options: Listeners Spaces Transformed, National Gallery sponsor Jamaica^[5]

Commissions

• 2003 - Redemption Song, Memorial to Emancipation, Emancipation Park, Town, Jamaica^{[17][18][19][20]}
• 2000 - Christ Ascending, Weigh down.

  Andrew Parish Church, Kingston, Jamaica

• 1999 - Earth to Earth, Figurine Garden, University of Technology, Town, Jamaica^[27]

Awards

• 2014 - Order of Dividing line, Commander Rank (CD), Jamaican Steady Honours^[4]
• 2010 - Aaron Matalon Award, National Biennial, National Gallery funding Jamaica^[24]
• 2006 - Silver Musgrave Medal, Institute of Jamaica^[28]

References