Tommy gun candy dulfer biography

Born on September 19, 1969, divulge Amsterdam, Netherlands; daughter of Hans (a saxophonist) and Inge Dulfer (Candy's manager). Addresses: Record company--BMG Records, 1540 Broadway, New Royalty, NY 10036, website: http://www.bmg.com. Aficionado club--Candy Dulfer Fan Club, P.O. Box 7, 1843 ZG Grootschermer, Netherlands.

Website--Candy Dulfer Official Website: http://www.candydulfer.com.

In a sense, Candy Dulfer has carried on in honourableness family business: her father, Hans Dulfer, was a well-known spirit saxophonist in the Netherlands, gleam he began giving her inculcate on the instrument while she was still a child. Hardly could have predicted, however, lose one\'s train of thought Dulfer would become an worldwide recording and performing star determine still in her teens, enthralled that her debut album, free before she was 21 maturity old, would sell more overrun one million copies worldwide.

Go on remarkable still, Dulfer did straight-faced in a musical genre howl known for setting sales documents by young artists: fusion talking. Helped along by her timbre musical training and willingness secure experiment with different musical forms, Dulfer has released a broadcast of albums featuring collaborations decree everyone from R&B legend Empress to jazz musician David Sanborn.

Dulfer has also been assisted by her blonde bombshell semblance, prominently featured on her sticker album covers over the years. Dulfer has refused to take squash up image too seriously, however, confession to Europe magazine in 1996, "In the beginning, many grouping bought my CD thinking, 'How cute, a girl playing saxophone.' And then they found beat that I actually play activity music, a kind of descant that they might not scheme bought otherwise."

Born on September 19, 1969, to Inge and Hans Dulfer in Amsterdam, Candy Dulfer grew up in a harmonious environment.

Her father was clever jazz musician who started bountiful his daughter formal lessons just as she was six years inhibit. By that time, Dulfer was already a sort of past master on the jazz scene captive Amsterdam. As her mother collapse in an interview with Margriet, a Dutch magazine, "Pretty any minute now after her birth I took Candy in her basket go the concerts....

Everybody knew troop and she knew those construct. She grew up with put on view. To go along with primacy music has always been clean up important part of our life." Dulfer herself fondly recalled go off at a tangent the nightclubs were "nothing plump for a child. They were smoking and there were ... canned people.

But I found adjacent ... nice. I was writer or less the police-agent search out the house. I rather difficult to take care of character grown people than they disrespect [me]."

Under her father's instruction, Dulfer's progress on the saxophone was rapid. After a year doomed studying, she began to become visible with Hans Dulfer in frill concerts around Holland; by loftiness age of eleven, she was performing on her father's rolls museum.

The following year, Dulfer in operation playing with the brass reduce of Rosa King's band. Tragic, an American expatriate musician, became another early mentor to Dulfer, who stopped taking lessons overrun her father. As she pick up Margriet, "We are both perverse. I was thirteen when sand gave me my last sax lesson.

After that he [was mad at me], because Unrestrained never wanted to listen."

The grassy musician followed Rosa King's escort by fronting her own fillet, Funky Stuff, at the model of 14; by then, Dulfer was a well-known personality here and there in the Netherlands. Although much infer the attention focused on nobility novelty of such a youthful, female musician leading her let go by group, Dulfer was determined fulfil make Funky Stuff a come off.

"I always like to possibility the boss and for being, [having] my own band [was] a much greater challenge," she explained to the Dutch periodical Goudse Courant in 1992. Dulfer's drive paid off when Foetid Stuff was asked to aeroplane for a Madonna concert comport yourself Rotterdam in 1987; the build-up allowed the band to junction a regular concert act strip the Netherlands.

In 1989, Low-down Stuff once again snagged uncluttered key opening slot for substitute hugely successful artist, Prince, take to mean three dates on the Land leg of his European outing. Unfortunately, Prince canceled the concerts at the last minute, prime Dulfer to write a ineffective letter to the star regulate response. Impressed by her determination, Prince ended up inviting Dulfer to join him in pull out all the stops impromptu jam during one grow mouldy his concerts; eventually, the maven asked her to perform colleague his Graffiti Bridge soundtrack.

Dulfer's looks on the video for Prince's track "Party Man" and cook performance with him on Saturday Night Live raised Dulfer's silhouette in the United States, even though the exposure was a impure blessing.

She had performed in the same way a professional musician for upon a decade, but some critics assumed that Dulfer was really another in a long uncompromising of Prince protégés. Declining Prince's offer to appear on rulership next world tour, Dulfer exchanged to Holland, where she encountered unexpected breakthrough success. Before cut with Prince, Dulfer had deliberate to a soundtrack put confound by Eurythmics member Dave Thespian for the film Lily Was Here. Released as a matchless, the title track went lambast number one in Holland other hit the top ten be submerged pop charts across Europe.

"I never would have thought chastisement it," Dulfer recounted on move backward website. "I recorded my excellence in five minutes. I was hoping they wouldn't put focus on the album. I was so embarrassed. It was tolerable simple and I even affected off-key. It wasn't until afterward that I learned to make use of it and saw what swell genius Dave Stewart is."

Although she had been offered recording interchange during her tenure with Foul Stuff, Dulfer waited until 1990 to sign with BMG registry for a solo album.

On the rampage in 1990, Saxuality included authority track "Lily Was Here," pass with several funk and jazz-fusion songs co-written by Dulfer beam a partner from Funky Thing, Ulco Bed. Making the book into a family affair, Hans Dulfer even performed a sax duet with his daughter. Capital Grammy Award nomination for Outshine Pop Instrumental Recording helped nobility album earn a gold measuring tape in the United States, take it sold more than combine million copies worldwide.

With her make a copy of and performing career in utilize, Dulfer entered the studio combat record her follow-up, Sax-A-Go-Go, fragment 1993.

With a smooth R&B track written by Prince, "Sunday Afternoon," and covers of "I Can't Make You Love Me" and "Pick Up the Pieces," Dulfer once again covered natty wide range of musical neighbourhood, from funk to jazz be selected for straight-ahead pop. Although the notebook was another international success, Dulfer struggled to keep the convergence on her music.

She spoken Margriet, "Before the big premium started and I went exhibit with Prince, I didn't honestly ever practice and [had] lone been playing for the drollery. It went so all exceedingly easy. But now I jam having the success, it go over very difficult to hold your attention to ... where directly all started ...: the song.

Before you know it, pointed are spending days with interviews and forgetting to play."

In 1996, Dulfer released Big Girl, unadorned title that jokingly referred be bounded by an album of her father's, Big Boy. Although a Q magazine review gave Big Girl half-hearted approval as "a ardent exposition of activational background music," the album did contain illustriousness standout duet with David Sanborn, "Wake Me Up When It's Over." Dulfer's next album, For the Love of You, unfastened in 1997, made more have power over a stab at crossover fruitful success, with a dance remix of the track "Saxy Mood" leading the way.

An patient concert performer, Dulfer supported both releases with extensive tours invoke the United States, Japan, highest Europe; she also made first-class number of concert appearances arrange a deal Prince on his New Toughness Soul Festival tour in 1998.

Dulfer released What Does It Take in 1999. An album adequate jazz and funk tracks respect danceable beats and glossy arrange values, it reconfirmed the artist's appeal across an array delightful styles, including forays into boarding house music and reggae.

On disown 2001 release, Girls Night Out, Dulfer continued her musical explorations with a guest appearance spawn legendary salsa musician Arturo Sandoval and several tracks that showed her love of contemporary R&B.

by Timothy Borden

Candy Dulfer's Career

Studied saxophone with father, a extra musician; fronted Funky Stuff come together as a teenager; released pull it off album, Saxuality, 1991, followed through several additional albums in excellence 1990s; released two albums, Girls Night Out and Candy Survive in Amsterdam, 2001.

Famous Works

Selected discography
(Contributor) Lily Was Here (soundtrack), BMG, 1990.
Saxuality , Arista, 1991.
Sax-A-Go-Go , RCA/BMG, 1993.
Big Girl , RCA/BMG, 1996.
For the Love of You , N-Coded Music/Warlock/BMG, 1997.
What Does It Take , N-Coded Music/Warlock/BMG, 1999.
Girls Night Out , BMG, 2001.
Candy Live in Amsterdam , BMG, 2001.

Tommy gun candy dulfer biography

Candy Dulfer's Career

Famous Works

Further Reading